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      <image:caption>The Seminar Room, Cornell AAP NYC.</image:caption>
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      <image:caption>Excellent end to our final iteration of the FGT and law conferences at Cornell Law School, March 2017.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Art historian and theorist, Alexander Dumbadze, on Jack Goldstein.</image:caption>
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      <image:caption>The Art &amp; Law Program holiday party, 2013, at Duff's Brooklyn.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Founder, Sergio Munoz Sarmiento presents at the New School.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>The fellows retreat for some R&amp;R and a little snow, at Denniston Hill Artist Residency, 2016.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Founder, Sergio Munoz Sarmiento presents at the New School.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Fellows retreat at Denniston Hill Artist Residency, spring 2016. Come join us!</image:caption>
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    <image:image>
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      <image:title>IMAGES - Make it stand out</image:title>
      <image:caption>2014 Art &amp; Law Program fellows at Fordham Law School seminar room, enjoying libations while discussing legal texts. Pictured left to right: Yaelle Amir, Sergio Munoz Sarmiento, Harold Batista, Aliza Shvarts (2014).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Don’t put an “and” between art &amp; law.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Two fellows and founder walk into a room: Yaell Amir, Sergio Munoz Sarmiento, and Jacqueline Stahlman.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Our 2015 t-shirt, back side.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>2010 fellows at Michelle Maccarone Gallery for the artist exhibition, 2010.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>2015 fellows at Denniston Hill Artist Residency retreat.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Spring 2018 Fellows and friends at Denniston Hill Artist Residency retreat. Not pictured are: Adam Liam Rose, Karen Gover, Pablo Montealegre, Apexa Patel, and Chris Rawson. We missed them!</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Yale Law School professor, Judith Resnick, leads a seminar on representations of justice.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Seminar on a timeless film.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Sofía Hernández Chong Cuy leads a seminar on Latin American artists who employ law as medium (2014).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Chris Rawson, (spring 2017 fellow), in his booth, Rawson Projects, at NADA Art Fair, March 2017.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Summer get together at the unofficial Art &amp; Law Program cave, the infamous metal bar called Duff's NYC. Love seeing such sweet, creative and smart faces, who bring so much to the Program. (July 2017).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Nothing but respect and love for this 1/2 of Soda Jerk and for the other 1/2 as well. (Duff's NYC, July 2017).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>The symposium on Félix González-Torres and law brought together scholars with backgrounds in law, art history and cultural history, as well as collectors and contemporary artists, in order to analyze the work of Félix González-Torres and its impact on the emerging field of art and law. The symposium was organized by Cornell Law School and the Art &amp; Law Program and the de la Cruz Collection.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Eva Mayha Davis ('18) and Tracy Fenix ('17) with SMS enjoying the Art &amp; Law Program welcoming party (Feb. 2018).</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>Moments before the fellows arrive for a seminar (Fall 2018).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1550417250016-VUX37BI2NRXFB4XBOWFM/Sarmiento-Kee_Sign.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Joan Kee in conversation with Sergio Muñoz Sarmiento to celebrate the launch of Models of Integrity: Art and Law in Post-Sixties America by Joan Kee (February 2019). This event was co-sponsored by Cornell Law School.</image:caption>
    </image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>A snapshot of a work-in-progress: a list of art and law films (Fall 2019).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Original logo from 2010. Designed by the awesome Luis Nieto-Dickens.</image:caption>
    </image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>2013 Fellows taking the requisite Denniston Hill retreat hike. Who survived?</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598033287515-T4QAJF1M0Q1ZBS4SUK4L/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2014 Fellows, Soda_Jerk and Elaine Byrne, with ‘11 alum, Alex Villar as respondent, for presentation at ISCP in Brooklyn (2011). Awesome!</image:caption>
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    <image:image>
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      <image:title>IMAGES - Make it stand out</image:title>
      <image:caption>First Art &amp; Law Program exhibition at Maccarone Gallery in NYC. Unknown installer installing the Program’s logo (2010).</image:caption>
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    <image:image>
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      <image:title>IMAGES - Make it stand out</image:title>
      <image:caption>Throwback to an Art &amp; Law Program holiday party, circa 2018-ish, at the beautiful Brooklyn home of Elise Rasmussen. Elise is always so cool about hosting this group of outlaws. That's SMS up front.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>2011 fellows at SculptureCenter in Queens, NY for the artist exhibition, 2011.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>2016 spring term fellows at Denniston Hill Artist Residency retreat.</image:caption>
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    <image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>The awesome 2019 Fellows. (Not pictured: Kearra Amaya Gopee, but thanks to her we have this image).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Associate Director, Lauren van Haaften-Schick catches up on her reading in Marfa, Texas. No better place to read on art and law, right?</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>2011 fellow, Michael Cataldi's project on air rights, exhibited at the SculptureCenter, NYC in 2011.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485730797374-J23UXA5IBBYYMCORUNJJ/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Soda_Jerk planning their next devious art project. Love it!</image:caption>
    </image:image>
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      <image:title>IMAGES</image:title>
      <image:caption>The Art &amp; Law Program 2014 fellows taking a well-earned retreat...booze, food, talk, politics, DJ'ing, sports...all included.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1490016496642-9QMQCVKZGXG51DDLJXUQ/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Dean of Cornell Law School and Professor of Law, Eduardo Peñalver (right) and Sergio Munoz Sarmiento discussing property law, disobedience and contemporary art at the Felix Gonzalez-Torres Symposium, which was held on March 18, 2017 at Cornell Law School.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1500649111179-AA1634F5KK48ENPUZFFW/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>With artist, provocateur, and seminar leader, Hakan Topal at Duff's NYC. (July 2017).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1525103390554-4JWI7QVPGNIWRX6Q388H/Soucek_art-law-program.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Brian Soucek leads seminar on aesthetic judgments in the law (spring 2018).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1525802271038-4YN1BZYEEN9LKD54QHU0/cornellaap_artlawprogram.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The view from our seminar room at Cornell University's Art Architecture Planning space in Battery Park, NYC. Not a bad place to ponder the many faces of art and law (May 7, 2018).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1528299943699-188ZMALPEBFU33OPFH80/DH_2018.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Spring 2018 fellows hanging out around fireplace and watching movies at our traditional retreat at Denniston Hill (May 2018).</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>Pedagogy of corporations and their structures (Spring 2018).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1536541863646-UN813CT0J8ML8CQ96TDU/LVHS-pie_DH-sp2018.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Traditional pie-making by Lauren van Haaften-Schick at our annual retreat at Denniston Hill (Spring 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1550417065149-BD32OORCDV23KBI72L1T/Sarmiento-Kee_artlaw.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Joan Kee in conversation with Sergio Muñoz Sarmiento to celebrate the launch of Models of Integrity: Art and Law in Post-Sixties America by Joan Kee (February 2019). This event was co-sponsored by Cornell Law School.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598031858768-159UAB8F2Y64YQGD1GYU/artlawprogram-invite-2010.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Very first Art &amp; Law Program exhibition announcement, back when there were end-of-program exhibitions (2010). Designed by the awesome Luis Nieto-Dickens.</image:caption>
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      <image:title>IMAGES</image:title>
      <image:caption>2014 Fellows giving Sergio a very, very, very nice gift, and something he rarely, rarely, rarely wears: a black heavy metal concert t-shirt. (Denniston Hill, 2014).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598034073990-V92OXSLAI83Q4NHMEYVB/art_law_oral_arguments_poster_3_white+copy.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Very, very first Oral Arguments. Will they return? Hell yes!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/98c471df-4f15-4f12-ac82-7bb7a845fee4/Erica-Love-art-law-program-2014.jpg</image:loc>
      <image:title>IMAGES - Make it stand out</image:title>
      <image:caption>Erica Love and her stenciled work of art (Spring 2014 at Denniston Hill).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485714367218-VA3FOZYNJ81QL3UPC2O3/DSC02322.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2013 fellows at Denniston Hill Artist Residency retreat.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485715414055-IXQN2U6K6VGB3H5B8PJ4/-2.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2016 fall term fellows at Denniston Hill Artist Residency retreat.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485716740492-BHVONBOEX35WD2WTT70Y/IMG_1450+copy.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Seminar leader and Dean of Cornell Law School, Eduardo Peñalver, leads seminar on theories of property and the right to exclude.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485717691572-4FE8RVOC424XL3NZSM2H/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2011 fellow, Lian Amaris, exhibits her project at SculptureCenter for the 2011 Art &amp; Law Program exhibition.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1488505552280-IWRJM8UMY84DIN522MID/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Damien Davis, (spring '16 fellow), in front of two of his artworks at MoMA, NYC, Feb. 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485712856470-P4K5X2XPRPZHGGLB1W6E/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The Art &amp; Law Program and Cabinet Magazine collaborate on Jack Goldstein talk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1500649180547-3A0U2ETBWB16SI4VR8CJ/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>More Duffy's NYC with more great, creative alumni. Love them! (July 2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1500649306782-1WUZ51L3ERZSPBRO5B34/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>No vehicles on the park. Discuss. (Duff's NYC, July 2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1525104763772-1E4GJ6TZZ8PH7AQPLNH6/Oral_Arguments_2017_1.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The very first Oral Arguments took place at NYU on October 28, 2017. Volume I consisted of eight presenters, all alumni of The Art &amp; Law Program. The presenters were: Thomas Beale, Abram Coetsee, Terike Haapoja, Nicole Belangeil Kaack, Kenneth Pietrobono, Susan Rosenberg, Vered Snear, and Alex Strada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1526576998886-GDXW45CCPG86KJX3YI8P/artlawprogram_party2.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Kiran Chandara ('18) and Sasha Lerman ('15) with SMS at the February welcoming party for the spring 2018 fellows.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1536541505566-TNH77M0RSYE9TIJQUOBX/Johnson.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The seminal property case in the U.S. That's why we read and study it.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1536541913599-M9G29WZ53VRYVBLX9P9R/sms-at-JuddHouse_sp2018.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>SMS, alumni and spring 2018 fellows visit the Judd Foundation in Soho, NYC (Spring 2018).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1550417175275-HSON8963KSUXPZ9QLARL/Sarmiento-Kee_reception.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Reception after the Joan Kee and Sergio Muñoz Sarmiento conversation celebrating the launch of Models of Integrity: Art and Law in Post-Sixties America by Joan Kee. Pictured here are alumni and attendees (February 2019).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1572473407489-2JSX2KJACBSG6YUC8C3N/artlawprogram-judd-tour-2019.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2019 Fall Fellows after a tour of Donald Judd’s home on Spring St., NYC. A huge thanks to our repeat offender, Chris Rawson, for always arranging for these tours. (Pictured from left to right: Armando Rosales Rivero, Chris Rawson, Ivana Dizdar, Elizabeth Smolarz, Carlos Jiménez Cahua, Mira Friedlaender, Claudia Fernandez.)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598032635481-7ATPQYCZN1RAJGZ7NQ90/fellows-renaud-proch-2013-artlaw.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2013 Fellows with seminar leader, Renaud Proch, at Denniston Hill retreat.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598033111911-NKXHK3VQ1N0BRIUEM54Y/hakan-topal-2013.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Fellow, Hakan Topal, looking at you looking at him (2013, Denniston Hill).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598038262879-AL96ZQQKMG1HKPFSJJGZ/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Signs.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/3c23c7a3-e3b4-4362-89de-417bbdaa2d6a/Screenshot+2025-08-18+at+5.53.37%E2%80%AFPM.png</image:loc>
      <image:title>IMAGES - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485717305259-G2VL5QMIZ9U9LABJ3GT6/FLS+room.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>One of our seminars: cases, cases, essays, essays, coffee, beer, wine, and sometimes....hard liquor.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485714959203-BQ84WTF8LE0Z0NIA81L6/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>2014 fellows at Denniston Hill Artist Residency retretat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1496436058627-V20MZ086T6JNSN0Q7UH0/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The 2017 Art &amp; Law fellows and friends, during our usual end-of-term retreat at Denniston Hill, NY.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485716822081-3HI4RZ4QKCFCOLKML450/amy_adler_residency_2012+copy.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Amy Adler, Professor of law at NYU School of Law, leads seminar on intellectual property and appropriation art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485730616965-7DYMM83U7X1HFRLESGK4/15094282_741055989381077_4165161914226148329_n.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Alternative Art School fair at Pioneer Works, with Lauren van Haaften-Schick, Alex Strada, Damien Davis, and Abram Coatsee, fall 2016!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485731055676-WG1KH6IE9QRCPGMS46KS/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Art &amp; Law Program, 2015, visited MoMA today to view the Sturtevant exhibition...then we had delicious Cuban food over at Tina's on 56th Street. Great day; great outing; awesome fellows.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1488505622190-9AHZ4BUT11AOXG3ZXFZB/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Chris Dorland, (2013 fellow), exhibits his work at Superdakota booth at NADA Art Fair, March 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1490022357262-C0A9ENHN7KNJHVQO8D08/image-asset.jpeg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Joan Kee and Martha Buskirk discussing contracts, artists' foundations, and conceptual art, at Cornell Law School (March 2017).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1525104683570-C2JM0WX1TCU9AKXMJRI9/Damien_Oral_Args_2017.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Damien Davis, co-organizer with The Art &amp; Law Program of the first Oral Arguments, pictured here with Sergio Munoz Sarmiento (Fall 2017). The Oral Arguments took place at NYU.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1526575686875-U3QZJO1MHM7WQUNQ0HFI/Judd-tour-artlawprogram.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The spring 2018 fellows and alumni took a tour of the Judd Foundation at 101 Spring Street in NYC. We had a great tour guide, and some of us went out for tea, pie and some red wine. Looking forward to our fall 2018 visit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1528300081233-TVSB42IPRM5SKZLE33U4/DH_2018_2.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Always good discussions at the dinner table during our traditional end of term retreat at Denniston Hill (May 2018).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1536541558122-JGTVWD198L3YGUFGBIQC/Harrison-talk_2013_GrandSt.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Picture of the old Art &amp; Law Program space at 1027 Grand St., in East Williamsburg Brooklyn, 2013. That's an Eric Doeringer "Buren" painting in the background, and Lauren van Haaften-Schick at the front of the room.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1544032265887-4UTGUZC136I7E6PLP24Y/Artlawprogram_fall-2018.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Art &amp; Law Program fellows for the fall 2018 term. Photo taken at Cornell AAP space in lower Manhattan. Missing is Katya Grokhovsky (Dec. 2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1572363944435-WP8VOZZU6PX3UM7BKDZ7/artlawprogram-2019-seminars.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Fall 2019 seminar. Should law be stable and consistent? When should it be overturned or changed? (Image: courtesy of Chris Rawson)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1572475530617-WAK21V4FV57W6VX71ZRF/artlawprogram-fall-2019-estates.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Fall 2019 blackboard schematic on artistic legacies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598032590400-U7EA0BX9R4697R7QSLIB/fellows-2013.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Some 2013 fellows at Denniston Hill retreat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1598032783105-QAT3NYOIZC1UCLJWCBDZ/john-letourneau-2010-artlaw.JPG</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>The one and only, John Letourneau, giving us a very generous tour of his home, built by him, by hand, near Denniston Hill artist residency. Really a sight to see! (2013)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1485713183717-JCMXEMBQLA9DHBM15T9A/Lane+ALP+2014.jpg</image:loc>
      <image:title>IMAGES</image:title>
      <image:caption>Art historian and critic, Lane Relyea, leading seminar on his new book, Your Everyday Artworld.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.artlawprogram.com/oral-arguments</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1507060621676-EMIFMY81RXQWIGT99B1Z/art_law_oral_arguments_poster_3_white.jpg</image:loc>
      <image:title>ORAL ARGUMENTS</image:title>
      <image:caption>Oral Arguments poster describing the event and the participants.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.artlawprogram.com/artlaw-kee-sarmiento-talk</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-08</lastmod>
  </url>
  <url>
    <loc>http://www.artlawprogram.com/arr</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600274741511-OWJWQW2ZSFRN5PMBFPA8/image-asset.jpeg</image:loc>
      <image:title>ARR</image:title>
      <image:caption>Studio/house, Mexico City, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600273109717-IZR8FGWP55R4O8L8HLQ7/imaginary-duets.jpg</image:loc>
      <image:title>ARR</image:title>
      <image:caption>Imaginary Duets, album cover image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600273561377-D87EN6MDFYFOL70EJ8O3/studio5.jpg</image:loc>
      <image:title>ARR</image:title>
      <image:caption>Studio/house, Mexico City, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600276990113-RAP0UQ8MJRTAV2UXBXY7/12+san+benito+painting%2Cauthor+unknown.png</image:loc>
      <image:title>ARR</image:title>
      <image:caption>San Benito de Palermo painting, unknown author/date.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600276929734-3N4VUWNP7OCD67HWYL1Q/6+the+good+the+bad+and+the+ugly+ending+scene.png</image:loc>
      <image:title>ARR</image:title>
      <image:caption>The Good, the Bad and the Ugly, ending scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1600276871491-X1T7O2HJK9V7APXW5A7P/7+Perseguirse.JPG</image:loc>
      <image:title>ARR</image:title>
      <image:caption>Perseguirse (Selfchase), inked concrete, raffia rope, plaster, 27cm x 18 cm x 26 cm, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.artlawprogram.com/coloring-book</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629649698219-86RXQFIOF8JY1MZMJ6GM/Dilworth-JPG1.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Molly Dilworth’s drawing, Trouble 135 (2017), derives from a series of 273 drawings from Molly’s first six months of 2017 in Tulsa, Oklahoma. This is one of two drawings from a day at a waterkeeper camp where issues of extractive industries were discussed on privately owned native land.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/5ad99232-4974-4667-b4ed-1ae3779bda7b/Emma-Jane-Bloomfield-Siblings.png</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>Emma Jane Bloomfield connects art, architecture, inter-relations, production, and mark-making in her drawing, Siblings*.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629989973336-AEK0WDC4A15N9P1NTSNG/Leap-Kambhu-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Clare Kambhu contributes, Jump (2021). As an artist and art teacher, Clare has this to say about public education: “At a moment in which public education is highly contested, both threatened and threatening, we often see school furniture as a stand in for student bodies. I make observational paintings in public schools, teachers unions, and other bureaucratic spaces.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629559165862-VX8MR9GAVI8WQPMWIPZ7/DD-JPG1.png</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>Damien Davis contributes three drawings based on Mae Jemison, the first Black woman to travel into space. This is one of Damien’s drawings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629439476628-HJW04ZF8PWE3KZKFEGX9/Vaquita-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Elisabeth Smolarz’s drawing is fun to color, but also helps us understand about animal extinction. In this case, Elisabeth raises awareness about the “Vaquita,” the most endangered marine mammal. Follow the link to find out more about where “Vaquitas” live and why “Vaquitas” are endangered.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1628628214617-FV75X4CO1MJXLDB3W6MM/Steiner-JPG1.png</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>Alfred Steiner’s, Skull No. 1, is a vector graphic in variable dimensions. This means you may print this drawing as big or as small as you’d like.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629650759253-IR4QSJJTCK51NQ9E0VX7/Sosa-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Gabriel Sosa’s drawing, “How Many Words Can You See?”, comes from a series of drawings that integrate text from the Boston Police Department handbook and the aesthetic of the Rorschach inkblot tests.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1628800928293-W3MTVGOZKLJ2FY3ISBCM/Shades.jpg</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>Melinda Shades uses drawing and music to share her interests in self-discovery and key historical cultural moments. One of Melinda’s concerns is giving today’s young generation knowledge of great art of the late 20th Century. This drawing, dnarnya, is one example.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1628810505925-EZ31VXV4X6ARUYHKLVI7/SJ-Surf_JPG.png</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>Soda Jerk’s slogan SURF NOT SERF refuses the techno-feudal turn of the internet in the contemporary era of surveillance capitalism. The image was originally designed as a flag to protest the gutting of net neutrality in 2017. Instead of data farming, the work reclaims the metaphorical routes of the 90’s internet as an open ocean — a frontier of corporate mutiny, noble-minded piracy and gnarly good times. Surf the net, don’t let it surf you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629648239910-ED23VZDZ5JNYQ88RU0OV/J%26E-JPG.png</image:loc>
      <image:title>COLORING BOOK</image:title>
      <image:caption>João Enxuto and Erica Love’s drawing is a coloring book version of their larger project, The Digital Divide (Every LinkNYC in Manhattan), from 2018, where they explore the impact of technology, commerce and the city landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1630178267708-2Z9T6VJRON8LUF7LUCP4/Suter-JPG2.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Another drawing by Valerie Suter, visual artist and educator. Through Valerie’s use of figurative painting, drawing, sculpture and video she questions dominant narratives and explores subjects that have been historically marginalized and objectified, often making portraits that assert their social, cultural, and political power. In this drawing, Valerie portays Astrid Lindgren, an author who has sold roughly 165 million books worldwide. In 1994, Lindgren was awarded the Right Livelihood Award for "her unique authorship dedicated to the rights of children and respect for their individuality."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629649794614-8I5C15DDO3YRAV5ZO2E4/Dilworth-JPG2.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Molly Dilworth’s drawing, Trouble 192 (2017), derives from a series of 273 drawings from Molly’s first six months of 2017 in Tulsa, Oklahoma. This is one of two drawings from a day at a waterkeeper camp where issues of extractive industries were discussed on privately owned native land. The other drawing can be found above.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1628811081489-019U0GEH4FI4RQSJ8368/ThisPage-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Sergio Muñoz Sarmiento’s drawing, “Your Very Own,” invites you to author a drawing and be an artist, all while learning a little about intellectual property.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1630178086636-737DYW74FWIXZCHFOE1S/Suter-JPG1.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Valerie Suter is a visual artist and educator. Through her use of figurative painting, drawing, sculpture and video she questions dominant narratives and explores subjects that have been historically marginalized and objectified, often making portraits that assert their social, cultural, and political power. In this drawing, Valerie portays Astrid Lindgren, an author who has sold roughly 165 million books worldwide. In 1994, Lindgren was awarded the Right Livelihood Award for "her unique authorship dedicated to the rights of children and respect for their individuality."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1630178932414-MW9YZWC3GL6W9V9Z0WA0/Screen+Shot+2021-08-28+at+2.28.27+PM.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629559297098-C5726UNNL3YV0S7VNQKE/Lemmy-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Sergio Muñoz Sarmiento’s drawing, “Lemmy,” invites you to color eight of these drawings and then cut each one out. Once you’ve cut them out, find a friend, sit next to each other, and have a friend or a parent take a picture of you and your friend with all eight Lemmys, just like you see in this picture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1630177258061-EIY401S8P6APC2JBACQ5/Melini-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Douglas Melini’s drawings and paintings are combinations of patterned optical illusions and painterly abstract expression that explore the relationship between color, texture, and space. He often extends his patterns and vibrant colors across the frame, adding a third-dimension to the work. Click here to see how Doug colored-in one of his drawings!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/1629648740845-8TZC9Y3NWF2JCXB7IH8L/Lerman-JPG.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Alexandra Lerman’s Mosquito Man, 3, was born out of the mosquito suit gifted to Alexandra as she was leaving for a trip to the Amazon rain forest. While there Alexandra used it to make a series of indexical photograms that depicted the presence of an absent body. The Mosquito Man became a character with a power cord skeleton. What does “indexical” mean?</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56632092e4b0672d14470877/d2aec97e-fc71-45f3-bebe-c83ca5a1bca5/DD-JPG3.png</image:loc>
      <image:title>COLORING BOOK - Make it stand out</image:title>
      <image:caption>Damien Davis contributes three drawings based on Mae Jemison, the first Black woman to travel into space. This is Damien’s second drawing.</image:caption>
    </image:image>
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